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As a former acquisitions & co-productions executive turned writer & producer, I've developed and produced numerous films, including RIP TIDE (Netflix), THE CHRISTMAS CALENDAR (UpTV), and BACK OF THE NET (Disney Channel).
My writing can be seen in Hallmark's A BIG FAT FAMILY CHRISTMAS and GYMNASTICS ACADEMY, which reached # 1 in multiple countries on Netflix.
In 2019, my pilot script IDENTITY CRISIS OF A BANANA was selected as one of eleven projects to participate in the PGA’s annual Diversity Workshop. And it was this script that was a real turning point for me as a writer.
Why?
Because in my decade of experience working in the industry, I realized the harm done when the wrong people try to tell other people's stories. In other words...men writing women's stories, and non-POC's (again, namely men) writing stereotypical characters and storylines about POC.
So, even before I began writing, a fire was lit inside me to help other writers tell more authentic stories. And when I wrote IDENTITY CRISIS OF A BANANA, I felt like I had found my own authentic voice.
That's why I'm on a mission to amplify BIPOC and women's stories to set the truth straight, build bridges, and put ourselves in the conductor's seat of our own narratives.
In addition to writing, I currently serve as a co-lead for the PGA's AAPI Working Group to help uplift fellow AAPI producers in the industry.
If you're interested in potentially collaborating, feel free to book a Virtual Tea Time 🍵 with me.
My writing can be seen in Hallmark's A BIG FAT FAMILY CHRISTMAS and GYMNASTICS ACADEMY, which reached # 1 in multiple countries on Netflix.
In 2019, my pilot script IDENTITY CRISIS OF A BANANA was selected as one of eleven projects to participate in the PGA’s annual Diversity Workshop. And it was this script that was a real turning point for me as a writer.
Why?
Because in my decade of experience working in the industry, I realized the harm done when the wrong people try to tell other people's stories. In other words...men writing women's stories, and non-POC's (again, namely men) writing stereotypical characters and storylines about POC.
So, even before I began writing, a fire was lit inside me to help other writers tell more authentic stories. And when I wrote IDENTITY CRISIS OF A BANANA, I felt like I had found my own authentic voice.
That's why I'm on a mission to amplify BIPOC and women's stories to set the truth straight, build bridges, and put ourselves in the conductor's seat of our own narratives.
In addition to writing, I currently serve as a co-lead for the PGA's AAPI Working Group to help uplift fellow AAPI producers in the industry.
If you're interested in potentially collaborating, feel free to book a Virtual Tea Time 🍵 with me.
Script ConsultationsI am also available for script consultations if you need an extra pair of eyes and brain, and want to make your story both marketable and authentic.
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FEATURE FILM SCRIPT CONSULTATION
PILOT OR EPISODE SCRIPT CONSULTATION (UNDER 60 PAGES)
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Testimonials:
"Justine's knowledge of the industry, deep understanding of storytelling, and her clear eye for character development makes her an invaluable resource for me. She's my go-to for every new script I write and I don't know what I'd do without her intelligent and thoughtful notes!"
- Erin W.
"I first discovered Justine’s many types of expertise in a webinar she taught on developing movies for cable and streaming services. In that webinar I was drawn to her wide knowledge of distribution and marketing on one hand, and creative script development on the other. Her background and education— including law school, several languages, and extensive experience at Marvista Entertainment— led me to seek her out for individual consultation on scripts of mine that would benefit from her expertise.
In that further work, I continued to value Justine’s knowledge and point of view but also— and equally— her warmth and generosity of spirit. She is a very positive person who demonstrates and practices creative development. Thank you, Justine." -Virginia Y.
"I need a second set of eyes on my work and Justine is a great resource. She knows story and her notes are clear and easy to execute. I’ve used Justine several times to edit, give notes on story, and make sure I have the beats my characters need. She knows the film industry and is a great resource. Justine is a breath of fresh air. Honest with her notes in a kind way, I trust her knowledge of story, characters, writing, and the industry." -Betty S.
- Erin W.
"I first discovered Justine’s many types of expertise in a webinar she taught on developing movies for cable and streaming services. In that webinar I was drawn to her wide knowledge of distribution and marketing on one hand, and creative script development on the other. Her background and education— including law school, several languages, and extensive experience at Marvista Entertainment— led me to seek her out for individual consultation on scripts of mine that would benefit from her expertise.
In that further work, I continued to value Justine’s knowledge and point of view but also— and equally— her warmth and generosity of spirit. She is a very positive person who demonstrates and practices creative development. Thank you, Justine." -Virginia Y.
"I need a second set of eyes on my work and Justine is a great resource. She knows story and her notes are clear and easy to execute. I’ve used Justine several times to edit, give notes on story, and make sure I have the beats my characters need. She knows the film industry and is a great resource. Justine is a breath of fresh air. Honest with her notes in a kind way, I trust her knowledge of story, characters, writing, and the industry." -Betty S.
